近仁堂
如何让一座老建筑焕发新的城市吸引力是最核心的设计思考，从建筑表皮到室内、景观庭院、城市空间、人、动植物以及艺术品的吸引力思考?如何让几十年的大型香樟树成为建筑作品的一部分，吻合于基地与城市的空间?如何在全面的设计思考与边拆除边同步进行推敲之间做到技术可行并落实?建筑用三角斜面的构成创造新的视觉引导,同时形成新的虚实体快。用全新的幕墙表皮来拨动时间轴，实现记忆与展望的双重吸引。新的建筑连着大香樟一并低调的隐匿于城市高架和幽静的冬青路。
The core design thinking lies in how to revitalize an old building and endow it with new urban appeal—considering attraction not only in the building faαade, interior landscape courtyard, and urban space, but also in people, flora, fauna, and artworks alike．How can large camphor trees, decades old, be integrated as part of the architectural work， harmonizing with the site and urban context? How can we achieve technical feasibility and implementation amid comprehensive design thinking, alongside iterative refinement during the demolition process?The composition of triangular inclined planes creates new visual guidance, while forming new void and solid volumes.e s s dual attraction between memory and prospect.The new architecture， together with the grand camphor trees, lies quietly and unassumingly between the urban elevated expressway and the peaceful Dongqing Road。
全案落成，好多意犹未尽的建筑表达。关于建筑作品的设计感受?我的答案会是:阳光、土壤、水共同孕育着生命。对生命的表达，对人与人之间情感的表达，是非常特别的，此作品中有很多非统一的平衡感。改造之事，总让我常常关注渐进与和谐。在设计之初，我就希望能让更多的人有“渐入佳境”的感觉从“走进”到”安静”，再到“贴近”的感受。如同“望”“及”“思”的渐进。
The entire project is now complete, yet there remains so much unspoken architectural expression, a sense of unfinished resonance .When asked about my design feelings toward this work, my answer is:Life is nurtured collectively by sunlight, soil, and water The expression of life. and the expression of emotion between people. is truly extraordinary.This project embodies a kind of balanced harmony that exists within deliberate diversity.Renovation work has always led me to focus on progression and harmony gradually unfolding beauty”From the very beginning of the design, I hoped to offer people a journey of moving from arrival, to tranquility. to intimate connection.Much like the gradual layers of gazing. reaching, and reflecting.
中国人对红色有着非同一般的情感。红色的入口大门，向上的精气神 是有感于为人、瓷器、火候、艺术、锦鲤等非统一性而创作某种情感连接。The Chinese people hold an extraordinary affection for the color red.The red entrance gate rising wish spirit ad vitality , is crated to forge an emotional connection one inspired by the diverse vet resonant themes of humanity , porcelain firing temperature,art,and koi.
锦鲤与松
这两个词，使我想到香港、台湾、日本。
爱物，我觉得是一种蛮高的境界。这两样都 是需要精心去呵护的。主人及其子嗣是特别 精通于此，人人都能欢喜这一棵松、一尾锦 鲤、一池子的水落。
如果我们也是这般如松、如鱼，如淡定、如 自在，那么这便是意犹未尽的地方了。
因为这种感受的存在，我们突然决定开放这 里，让锦鲤、松也能望见“洒脱的人”。
选松的造型是我拿手的，与建筑呼应的向上 ,与水共生的影子，与心共想的翠绿。
选锦鲤，便不再是做设计的能知晓的事情了 。好在他们一家子都精通于此，几乎每一条 大小、颜色不一的锦鲤，均有详细词条。
其实，锦鲤与松都是这个作品的主人之一。 很庆幸，我坚持创作了两片水景：一片为了 锦鲤，一片为了松。
Koi and Pine
These two words bring to mind Hong Kong,Taiwan,and Japan.
To cherish living things,I believe,is a rather elevated state of mind.Both require careful and devoted care.
The owner and their descendants are particularly skilled in this—so much so that everyone can delight in this pine,this koi,and the ripples of the pond.
If we too could be like the pine,like the fish:calm,unhuried,free and at ease,that would be the part that lingers in the heart,unfinished and futl of meaning.
Because of this feeling,we suddenly decided to open this place to the public,so that the koi and the pine might also gaze upon those who live with freedom and ease Shaping the pine is something I excel at:its upward momentum echoes the architecture,
its shadow lives in harmony with the water,and its green resonates with the peace within the heart.
As for choosing the koi,that is beyond what a designer can fully know.Fortunately,the entire family is well-versed in it.
Nearly every koi,varying in size and color,has a detailed record In truth,the koi and the pine are both masters of this work.
l am grateful to have insisted on creating two water features:one for the koi,and one for the pine.
这是一温润的大厅，宛如我们创 作的整个过程；宛如沈玉亭先生 画作的细腻到思想远端的霞光； 宛如尤先生随和且温暖的情义。
选材是温润的：月光米黄石材、 钢琴烤漆、木饰面；
油画是温润的：沈先生根据设计 主题而创作的大型印象山水油画 (画面、色彩、意境均温润通达
瓷器是温润的：百件藏品之精选 ,与空间、艺术进行对话；
花艺是温润的：形神并茂的花艺 , 色彩点缀，游鱼一般。
A hall of gentle warmth,much like the entire journey of our creation;
like the distant,glowing haze in Mr.Shen Yuting’s paintings—delicate,stretching deep into thought;
like the easy,warm kindness of M.You.
The materials are gentle and warm:
moonlight beige stone,piano-finish lacquer,wood veneer.
The oil painting is gentle and warm:
a large impressionistic landscape painted by M.Shen around the project's theme—its composition, colors.,and mood all soft The porcelain is gentle and warm
a curated selection from a hundred pieces,engaging in quiet dialogue with the space and the art.
The floral arrangement is gentle and warn
vibrant yet refined in both form and spirit,accen ed wih suble huss.moving like swimming fish.
连廊，
中国人真对红色有着血一样独特 的热爱。
我们在精心保留的连廊处找到了 一种设计平衡。我希望在此用强 烈的红色表达情感过渡：人们在 不统一的空间、画面、景物之中 , 通过连廊将思绪统一到情感和 回忆里，并凝视、发现自己的渺 小。(这种感受很奇特，但我们 做到了)
整个红色的连廊也是串联空间的 精神轴线，停留、穿梭、等待都 是特别有仪式感的。二楼连廊尽 头，一把陈向京老师的红色大漆 椅，是工艺的传承，也是精神之物。
he Corridor
The Chinese people hold a unique,almost blood-deep love for the color red.
We achieved a delicate design balance in the carefully preserved corridor.
I wished to use a bold shade of red here to express an emotional transition:
amidst disjointed spaces,scenes and views,the corridor draws people’s thoughts together into emotion and memory,
allowing them to gaze,and to realize their own smallness in the world.
(The feeling is peculiar,yet we achieved it.)
This entire red corridor also serves as the spiritual axis that connects the spaces.
To linger,to pass through,to wait—all carry a strong sense of ritual.
At the end of the second-floor corridor sits a large red lacquer chair by Master Chen Xiangjing. It is both an inheritance of craftsmanship and an object of spirit.
紫柰、甘棠、骊珠、金丸、丹 若
似乎，美酒和佳肴一定要在此 存在，才能让现代人多些快意 ,或对这里的时光有个完整的 诠释：让这种意犹未尽得以更 具象一些。
主厨是黑珍珠级的，在临水的 包厢为我们现场制作菜肴，艺 术模样让人们生有敬意。恰有 相得益彰之处：水里的锦鲤、 池里的松；包厢的红洞石、墙 面的艺术画；黑珍珠的手艺、 火候讲究的菜肴；较低的镜面 天花和着较暗的灯光，一并升 起了人间烟火。
餐饮因人与佳肴共生的意境而 需要特别认真对待。
大厨是极其精湛的，一勺一勾 之间，隐约能望见主人希望传 承的那种认真的味道。
Purple Apples,Flowering Crabapples,Dark Pearls,Golden Orbs,Pomegranates It seems that fine wine and delicious dishes must be present here, to bring more joy to modern lives
or to give a complete interpretation to the time spent in this place to make this lingering,unfinished feeling more tangible.
The chef is of Black Pearl caliber.
He prepares dishes right before us in the water-facing private dining room, and his artful craftsmanship commands sincere respect.
Everything complements one another perfectly: the koi in the water.the pine by the pond;
the red travertine in the dining room,the artworks on the walls:
the Black Pearl chefs skill,the dishes cooked with precise heat and timing:
the low mirrored ceiling,paired with dim,soft lighting— together,they elevate the warmth and vitality of everyday life.
Dining deserves great care,
gqries the artistic mood of people and fine food coexisting in harmony.
The chef is exceptionally skilled.
In every spoonful,every gentle movement, one can faintly taste the spirit of dedication that the owner wishes to pass down.
